So, at the very least, if you shift locations and are shooting on the same reel of film, you need to use filters to compensate for different lighting. And most cinematographers own a collection of filters they rely on to create a look that’s uniquely theirs.įilters traditionally go hand-in-hand with film, because film stock is rated for specific color temperatures. When a director of photography rents a camera, a filter kit is invariably part of the package. Lens filters are the mainstay of the film industry (Figure 1). The question then is: will a competitive edge or HD cause you to bridge the filter divide? If so, what filters should you use? Video producer and junior college instructor Jeff Sengstack answers those questions in this tutorial. And the super clarity of HD has image-sensitive personalities clamoring for filters to smooth out their wrinkles and rough edges. Using filters can set you apart from the competition. There are some things filters can do that you really can NOT fix in post.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |